So in order to use this lick throughout an entire chorus of the blues form, we’ll need to be able to transpose the lick through these 3 tonal centers. The important thing to remember about the 12-bar blues form is that it moves through three different primary chords – the I, IV, and V chord. ![]() Once you’ve mastered the lick as written above, the next issue is being able to transpose it through the 12-bar blues form. īe sure to practice this lick with your metronome, starting slowly and gradually increasing your speed. We’re going to look at it in the key of C (over a C7 chord) in 4/4 time. The first blues piano lick is two measures long and works over a single dominant chord. ![]() These licks can be used in a variety of styles of playing – blues, boogie woogie, jazz, rock, country, etc. In this article I’ll show you a couple great bluesy licks AND how to transpose them for use across a 12-bar blues form. As pianists, we’re always looking for fun, bluesy piano licks to add to our bag of tricks.
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